A Literature Review of Piano Works of Non-Traditional Concerto Form with Orchestral Accompaniment Written in Romantic Period

Abstract

This research aims to reveal the forms that developed with the clear understanding and the innovative ideas of the Romantic Period, and includes a comprehensive literature review of the orchestral accompaniment piano works that are not composed as concertos. The Romantic Period was a period in which sentiments could be freely expressed, individuality and independence emerged, new ideas of form sprouted and music developed greatly, and become distant from the normative attitude of the previous century. Therefore, the era has allowed the emergence of emotional changes in the artist with freedom of formal structure, creativity and independence. In the research, the compositions written with orchestral accompaniment other than the forms known as traditional concertos in this period were examined. The aim of the study is to examine the significant change in understanding of the period and the degree of influence and results of the innovative forms brought by this understanding of the Romantic Period music and to guide the pianists who wish to study works in this form.