THE STRUCTURAL FORMATION AND EXPRESSION OF MORPHOLOGICAL AND BIOMORPHIC COMPOSITION IN GEOMETRIC ABSTRACTION

Abstract

Figurative painting was used in detailed landscapes and realistic portraits for decades then after geometric abstraction emerged. This fundamental change consisted of the use of “horizontal and vertical lines, squares, circles, triangles” of simple geometric figures, combined in subjective compositions that inhabit surreal spaces. There were no references to the real world, only fictional, utopian scenarios. The purpose is to define painting as simple activity. In this study, the structural formation and expression of morphological and chromatic composition in geometric abstraction have been tried to be examined, especially in terms of the functional design of horizontal and vertical relations. In epitome, the abstract form moves the subject matter from the scope of the particles to the space of the whole. As a sample, by defining the data Mondrian and Malevich of the works were used the analytical descriptive content analysis method between (1912-1942) the years.