An Evaluation of the Musical Structure and Performance Techniques of Franz Schubert's Wanderer Fantasy D. 760
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https://doi.org/10.5281/zenodo.14676187Keywords:
Franz Schubert, Wanderer Fantasy D. 760, Romantic Era, performance techniques, musical analysisAbstract
This study aims to comprehensively examine the musical structure and performance techniques of Franz Schubert's piano work Wanderer Fantasy D. 760. Recognized as a significant example of the Romantic Era, the Wanderer Fantasy stands out for its fusion of thematic elements from the composer’s 1816 lied Der Wanderer with the fantasy form. The four-movement structure of the piece (Allegro con fuoco ma non troppo, Adagio, Presto, and Allegro) presents a freer flow compared to classical forms, offering a cohesive narrative through uninterrupted transitions and the understanding of cyclical form. The study aims to reveal the technical and interpretative challenges posed by the cyclical themes, rich harmonic relationships, and dense contrapuntal texture present in Schubert's work. The methodology includes descriptive research and content analysis techniques. Findings highlight the distinctive thematic and harmonic structures of each movement and the technical difficulties pianists may encounter. Particularly, chord repetitions and rapid passages, dissonance resolutions, precise pedal adjustments, and the fugato texture demonstrate that the piece demands advanced performance skills. In the fast-tempo sections, dynamic control, pedaling, and hand coordination require intense attention, while in the slow-tempo sections, an approach that conveys deep emotion without compromising clarity becomes prominent. The results show that Wanderer Fantasy D. 760 reflects the richness of the Romantic period at its highest level, offers a profound artistic experience with its multilayered thematic structure, and presents pianists with a comprehensive technical and musical challenge.
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